1998.07 Screamin' Jay Hawkins CD "At last"

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1998.07 Screamin' Jay Hawkins CD AT LAST (FR: Last Call 302742-2)

FR: Last Call 302742-2

A 01 (04:42) Listen (Jalacy Hawkins)
A 02 (02:09) Because of you (Jalacy Hawkins)
A 03 (04:25) Coulda', woulda', shoulda' (Jalacy Hawkins)
A 04 (04:28) Potluck (Jalacy Hawkins)
A 05 (04:19) You took me (Jalacy Hawkins)
A 06 (02:38) Deceived (Jalacy Hawkins)
A 07 (02:32) I'll be there (Jalacy Hawkins)
A 08 (02:13) I played the fool (Jalacy Hawkins)
A 09 (02:14) Shut your mouth when you sneeze (Jalacy Hawkins)
A 10 (03:41) Life goes on (Jalacy Hawkins)
A 11 (04:31) You want love (Jalacy Hawkins)
A 12 (06:49) Make me happy (Jalacy Hawkins)
A 13 (06:40) I shot the sheriff (Bob Marley)
  • Matrix:
  • Production: Jim Dickinson.
  • Recording: 1997.07 Memphis (Tennessee), Sam Phillips Recording Service. - Sound engineer: Roland Janes.
  • Musicians: Frank Ash (guitar), Bertram Brown (backing vocals), William Brown (backing vocals), T-Bone Tommy Burroughs (violin), Jim "East Memphis Slim" Dickinson (keyboard, percussion), Screamin' Jay Hawkins (vocals, piano), Roger Hawkins (drums), David Hood (bass), Kelley Hurt (backing vocals), Sam Shoop (bowed bass), Jim Spake (saxophone)
  • Mixing: 1997.08-09 Memphis (Tennessee), Power House. - Mixing engineer: Kevin Houston.
  • Mastering: Memphis (Tennessee), Cryrock Studio. - Mastering engineer: Mike Iacopelli.
  • Executive producer: Patrick Mathé.
  • Photos: Vincent Lignier.
  • Sleeve design: L'Ere Graphique.
  • UPC: 618321500828
  • Note: There is also a limited edition of this album: the 1998 Screamin' Jay Hawkins 2CD AT LAST (FR: Last Call 303562-2 / Arcade ARC 334) - it contains an 17 minute nightclub rap entitled "Cool conversation" on the second CD!

All issues

1998.07 Screamin' Jay Hawkins CD AT LAST FR: Last Call 302742-2
1998.07 Screamin' Jay Hawkins CD AT LAST US: Valley Entertainment VE 15008-2
1998.07 Screamin' Jay Hawkins CD AT LAST DE: Loudsprecher / Indigo CD 8210-2

Reviews

1998 Living Blues Nr. 5-6, p. 70-71
[...] Hawkins continues to turn out hair-raising vocals and outlandish songs. [...] To paraphrase Robert Johnson, it looks like he'll be screamin' to his end.